Georges Rouault's Epistemological Modesty

Stephen Schloesser, S.J.
Boston College
Date: October 15, 2008
Abstract
This year marks the fiftieth anniversary of the death of George Rouault, and Boston College's McMullen Museum is hosting an exhibit of Rouault's finest works. The exhibit highlights the many outward “masks” that Rouault loved to paint—those of circus players, prostitutes and judicial figures, as well as the iconic sainte face (holy face) of Christ, definitively symbolized by the key figure of Véronique (vera icon)—the exhibition recovers Rouault’s keen sense of disjunction, unintended consequences, and ironic reversals. This irony (a sometimes bitterly satirical one) was often glossed over by a conventional piety in the presentation of his work. Join us for a fascinating presentation about Rouault and the exhibit.